PAN'S
LABYRINTH is rated-R due to graphic violence and foul language.
Here's their website. Anyone who
is familiar with Satanism and the occult knows that “Pan” is the pagan god
of sexual fertility, immorality, lust, rape and pedophilia. Many statues of
Pan display him with an erection. Wiccans adore Pan more than all the other
false gods that they worship.
Tragically, ChristianityToday recommend this filth and gives it their highest rating of 4-stars.1 It shouldn't come as a surprise that the apostate minister, Billy Graham, is the founder of ChristianityToday, which ought to be renamed to ApostasyToday.
As a Bible-believing Christian who has studied the workings of Satanism and the occult, I have learned over the years that sexual sins are inseparably inherent to them both. The infamous Aleister Crowley, a renowned Satanist and 33rd degree Freemason, was a known drug-addict and bisexual. He spoke in his writings of child sacrifices to Lucifer. Ritualized child abuse is a known, documented and widespread evil throughout the world today, as it has been throughout history.
Satan is unmistakably presented in Pan's Labyrinth. The movie creators even name him “Pan.” The following quote is from the website, Movieweb.com...
"In this fairy tale, a small family in Spain moves into an old house in 1943 after the rise of Fascism. Their eldest daughter, at age 12, falls in love with a fawn that lives in the old ruined labyrinth which resides behind their new decrepit home." —SOURCE
The very notion of an innocent child falling in loving with a sexual predator like Pan is nauseating to any God-fearing person. Lest you think I'm grasping for straws, the movie's producer, Guillermo Del Toro, has openly stated that one of the works which largely influenced the making of Pan's Labyrinth is the THE GREAT GOD PAN, a novella (shorter than a novel) written by Arthur Machen in 1890. The work was so demonic and despicable that the public was outraged . . .
The Great God Pan is a novella written by Arthur Machen. The original story was published in 1890, and Machen revised and extended it in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism...
A woman in Wales has her mind destroyed by a scientist's attempt to enable her to see the god of nature Pan. Years later, a young woman named Helen Vaughan arrives on the London social scene, disturbing many young men and causing some to commit suicide; it transpires that she is the monstrous offspring of the god Pan and the woman in the experiment.
SOURCE: The Great God Pan
Why would anyone be infatuated with such a sick character as Pan? The producer of Pan's Labyrinth finds the figure of the god Pan compelling . . .
Some of my favorite writers (Borges, Blackwood, Machen, Dunsany) have explored the figure of the god Pan and the symbol of the labyrinth. These are things that I find very compelling and I am trying to mix them and play with them. (Del Toro message board, Answers Archive, Nov. 24, 2004)
Pan's Labyrinth producer, Guillermo Del Toro, admits the dark nature of the film . . .
There are differing ideas about the film's religious influences. Del Toro himself has said that he considers Pan's Labyrinth “a truly profane film, a layman's riff on Catholic dogma.”
Yes, it is a profane (morally corrupt) movie. For anyone who understands who Pan is, what he does and the evil he embodies, it is unthinkable that someone would actually place an innocent little girl into such a setting, in a movie, portraying her as falling in love with Pan.
